Two men in high silk hats breathe the style of the times. The year is 1889. They are old enough to remember the century’s watershed event, the Civil War, which is long in the past, it being more than two decades since Appomattox. These gentlemen, and millions of others, have moved on. They are Gilded Age creatures, inhabitants of a rapidly modernizing society enjoying ever-increasing wealth. Their era was empty of historical grandeur: in that respect, the 1880s, with their intense but under-examined social problems (including widening economic inequality), were somewhat similar to today.
Formally attired, but looking like they are often so, the two men smile into the camera of Uriah Hunt Painter. Painter and the man on the left may be engaged in a mutual photo-shoot, for each has a Kodak camera, a new invention that became the era’s most fashionable ‘toy.’ This picture captures how people had begun to use it—not too differently from how people use their cell phones now.
The sun is shining on this Easter Monday, as all Washington gathers for the first-ever Easter egg hunt on the White House lawn. The watch-chain of one man snakes along the surface of his taut belly, a symbol of the symbiosis between efficiency and attaining plenty. He and his friend both sport the flamboyant facial hair that was a hallmark of the Gilded Age—the vast mustaches and expansive mutton-chops that would prevail even it Teddy Roosevelt’s time, the mutton chops first popularized by General Burnside, and eventually leading to the coinage of the enduring term, ‘sideburns.’
Image from this source.
A nice picture and fun words to go along with it ! As usual, you managed to pack a lot of information into just a few paragraphs.
Thanks, Sam. The Kodak photographs that Uriah Painter took are really marvelous–his portraiture is very direct and spontaneous and sociologically telling. I like it very much.