President Theodore Roosevelt, holding his top hat in one hand and flanked by two officers and an unidentified man, looks down at the photographer from the back of a railroad car. The year is 1903. The spontaneity of this picture registers how mainstream photography and photographic portraiture were changing in the wake of George Eastman’s revolutionary invention of the hand-held Kodak camera.
By then the Kodak camera had been around for fifteen years, but its impact was still widening and generating change. Because the Kodak was not just a new type of camera, but a new type of film, and one that gave the user freedom from having to learn film processing, it made picture-taking easier for everybody. Amateurs began taking pictures like crazy. The Kodak process also represented a big leap forward in terms of stop-motion photography, suddenly endowing pictures of living subjects with greater immediacy.
Those qualities shine in this marvelous photograph of President Theodore Roosevelt, taken during one of his myriad railway journeys. Who was the photographer? Was it a professional photographer assigned to cover him, or an ordinary American, perhaps even a woman, who successfully beseeched the President to pose just this one time? Did he even consent? His aides look amused, but Roosevelt himself looks positively put out.
Image: from this source.
![Curtin Hines. Western Union messenger #36. Fourteen years old. Goes to school. Works from four to eight P.M. Been with W[estern] U[nion] for six months, one month delivering for a drug store. "I learned a lot about the 'Reservation' while I was at the drug store and I go there some times now." Location: Houston, Texas.](https://i0.wp.com/americaninquiry.com/wp-content/uploads/2015/05/curtis-hines-bike-messenger.jpg?ssl=1)
