Why Hillary Should Declare, “I’m Worth It”

Who can stand the sexist attacks on Hillary’s speaking fees?

The questions aim to make voters aware that, while not in office, Hillary accepted huge fees for speaking to audiences that included big banks.  Like many effective campaign tactics, however, questioning the legitimacy of her fees also serves other, less-than-creditable ends.  The questions implicitly cast aspersions on Hillary Clinton’s essential worth, on her value as a veteran stateswoman, and on the integrity of the speaking engagements themselves.  The issue is a classic ‘dog-whistle’ tuned to the frequency of the envious and chauvinistic.

The underlying assumption?  Something must be wrong because Hillary couldn’t possibly be worth that kind of money.  Thank god Hillary is running for office!  She’s giving us an opportunity to express our resentment toward women who defy social norms and out-perform men.  How dare she make that kind of money in one day?

What’s clear from Secretary Clinton’s responses is that she doesn’t feel guilty.  She doesn’t feel implicated in the banks’ decision to pay up to hear what’s in her heart and brain.  Thank goodness she isn’t apologizing for the very legitimate demand within the business community to learn from one of the nation’s most experienced leaders.

But Hillary, for the sake of all women struggling against their own glass ceilings, you must go a step further.  You must assert that your experience and perspective on American politics are unique, and that, in the eyes of the market, you deserve your fees.

You might lose the anti-capitalist vote, but you’d win the gratitude of millions of American women who are tired of being treated as though they can’t possibly be worth as much as a man.

Ready or Not

Puck Christmas 1899 (Courtesy Library of Congress)
The new American girl glides into a new century on the 1899 cover of Puck magazine.  She holds onto her hat, her skirts flapping and duster billowing out behind her, a measure of her velocity.  She smiles in a frank and carefree way, as Puck pushes her from behind.

Frank Nankiwell‘s marvelous drawing captures the freedom and athleticism that the American girl of this era was enjoying.  Though her clothes look constraining to a modern eye, in relation to fashions that had come before, her garb was practical, masculine, and revealingly form-fitting.

In the Gay 1890s, as horizons for women broadened, their increasing physicality prompted dramatic changes in the clothing they favored.  Women began wearing shirtwaists and belts borrowed from men’s fashions.  Their bell-like skirts hugged their hips and thighs, before flaring out dramatically above the knee.  The length was short enough to reveal ankles and leave feet more free.  So dressed, the American woman moved faster and more freely, increasingly visible on skates, on bicycles, and in automobiles.

Image from this source.

Maidens Speed-Skate, 1809

Women racing on ice skates in 1809.
‘At a women’s skating race in Leeuwarden [the Netherlands] in 1809, the crowd watched sixty-four unmarried women vie for a gold cap-brooch. The winner was Houkje Gerrits Bouma. For greater ease, many had thrown off their cloaks. Baur painted the finalists with bare arms, a jettisoned cloak on the ice. It left little to men’s imagination and caused an outcry; therefore it was the last women’s race for many years.’

 

Image: Nicolaas Baur (Dutch, 1767-1820)
‘Women’s Skating Competition on the Stadsgracht in Leeuwarden, 21 January 1809’
Rijks Museum via Wikimedia Commons

This is the ninth in an occasional series of posts on ice-skating.
Click here to go to the first post.

Today We Rest From Our Labors

A farmwoman in house dress outside, with quilt she made hanging next to her from a clothesline.

Mrs Bill Stagg of Pie Town, New Mexico, standing next to her quilt of the States, October 1940

Image from this source


Our works merit celebration.
Happy Labor Day

 

Betsy Ross of the Capitol

A woman mends the American flag in a back room of the Capitol
“Washington, D.C.  Mrs. Georgeieanna Higgins.  Official title is Seamstress to the United States Senate, but for years has been called the ‘Betsy Ross of the Capitol.’  She is responsible for keeping the flag that flies over the Senate wing of the Capitol in proper flapping order.  This is no mean job since the flag flies night and day when the Senate is in session, which means a terrific beating from the elements, an average of 12 Flags is used each session”  (March 2, 1937)


Image:
from this source
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